11 movies to see in Bay Area theaters during SFFilm 2022

April 17, 2022

Montana Lending

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Cicero Lucas plays a teenager who dreams of traveling to space in “Mars One”. Photo: SFILM

For the first time since 2019, the San Francisco International Film Festival will be held in theaters across the Bay Area, bringing together numerous films between its opening drama “Stay Awake,” screened Thursday, April 21, and its closes April 30. “Cha Cha really smooth.”

Here are some of the highlights of the festival’s lineup:

“March One”

A teenager dreams of one day joining a colony on Mars, while his family here on Earth struggles but strives in this lively Brazilian drama that observes not only the daily life of the clan, but also their individual ambitions and the secrets they hold. are hiding.

8:45 p.m. Friday, April 22. Roxie Theater, 3117 16th St., SF; 7:45 p.m. Saturday, April 23. Berkeley Art Museum and Pacific Film Archive, 2155 Center St., Berkeley.

French volcanologists Maurice and Katia Krafft in “Fire of Love” by Berkeley filmmaker Sara Dosa. Photo: Sandbox Films

“Fire of Love”

If ever a movie demanded to be seen on the big screen, it was this documentary from Berkeley filmmaker Sara Dosa, which premiered at the Sundance Film Festival in January. The story of French volcanologists Katia and Maurice Krafft, told through the couple’s images and photos of lava flows and ash plumes, captures the majesty and danger of an earth in motion.

Dosa, with the help of narrator Miranda July, tells a story steeped in science and romance, tracing the couple’s passion for their work and for each other.

1 p.m. Saturday, April 23. Castro Theater, 429 Castro St., SF; 5 p.m. April 24. Berkeley Art Museum and Pacific Film Archive.

Era Balaj, Flaka Latifi and Andi Bajgora in “The hill where the lionesses roar”. Photo: Hugo Paturel / SFFILM

“The hill where the lionesses roar”

Franco-Kosovar actress Luàna Bajrami (“Portrait of a Lady on Fire”) was only 18 when she made this film, her writing-directing debut in which three young Kosovar women refuse to accept the hopeless future that awaits them and star in spectacular scenes. fashion.

2:45 p.m. Saturday, April 23. Vogue Theater, 3290 Sacramento St., SF

Filmmaker Christine Choy in “The Exiles”. Photo: SFILM

“The exiled”

More than 30 years ago, Oscar-nominated director Christine Choy sought out the exiled leaders of China’s 1989 Tiananmen Square protests, but abandoned the project. Now she’s handing over the reins to two of her former New York University students, Violet Columbus (daughter of ‘Mrs. Doubtfire’ director Chris Columbus) and Ben Klein for this gripping documentary – winner of the Grand Jury Prize for Documentary American Sundance – blending old and new footage in an examination of the aftermath of a strangled revolution.

3 p.m. Saturday, April 23. Victoria Theatre, 2961 16th St., SF; 2:00 p.m. 24 April. Berkeley Art Museum and Pacific Film Archive.

Russian opposition leader Alexei Navalny is the subject of the documentary ‘Navalny’. Photo: SFFilm

‘Navalny’

When a would-be assassin poisons Russian politician Alexei Navalny, Daniel Roher’s documentary becomes as much a taut thriller as it is a profile of a man with the temerity to oppose Vladimir Putin.

Essential viewing in the wake of Russia’s invasion of Ukraine, “Navalny” – winner of the Audience Awards and Festival Favorite at Sundance – provides foreshadowing and context to current events rocking the world.

4:30 p.m. Saturday, April 23. Castro Theatre.

Martin Miller as an aspiring musician and a teenager pining for his best friend in the Argentinian coming-of-age drama “Sublime.” Photo: SFFilm

‘Gorgeous’

A teenager grapples with new erotic feelings for his childhood best friend and bandmate, as they prepare to put on a show, in this compelling Argentinian coming-of-age tale.

In his feature debut, writer-director Mariano Biasin elicits strong performances from his young cast in a winning drama that captures youthful aspirations, all set to a seductive garage rock beat.

9 p.m. on Saturday, April 23. Victoria Theatre.

John Boyega stars in the hostage drama “892,” the 65th SFFilm Festival’s flagship film on April 27 at the Castro Theater. Photo: Courtesy of SFFilm

‘892’

This slow-burning, headline-ripping thriller – the festival’s flagship film – stars John Boyega as an Iraqi war veteran who takes hostages at a Georgian bank in his campaign for Veterans Affairs to do what it takes for him.

Nicole Beharie and Selenis Leyva as hostages, and the late Michael Kenneth Williams as police negotiator, provide strong support. But that’s Boyega’s show, and it’s fascinating.

7:30 p.m. April 27. Castro Theatre.

Haley Lu Richardson and Owen Teague play estranged siblings in “Montana Story.” Photo: SFILM

“History of Montana”

Former San Franciscans David Siegel and Scott McGehee (“What Maisie Knew”) visit the land of Big Sky for their first film in nearly a decade.

Against the natural beauty of rural Montana, an ugly tale of family dysfunction emerges as their father’s impending death forces the estranged siblings (both terrific Haley Lu Richardson and Owen Teague) to come together and confront the issues that separated them.

8:30 p.m. April 28. Victoria Theatre.

Jeremy Irvine as Ivor Novello and Jack Lowden as Siegfried Sassoon in Terence Davies’ ‘Benediction’. Photo: Laurence Cendrowicz / Road Attractions

‘Blessing’

Terence Davies’ first feature film since the 2016 Emily Dickinson biopic “A Quiet Passion” pays homage to fellow poet, Siegfried Sassoon, in a drama that draws a stark contrast between his fiery youth and muted old age.

Jack Lowden and Peter Capaldi star as Sassoon in a gorgeous film that uses the writer’s verse as the story weaves through time.

4 p.m. April 29. Berkeley Art Museum and Pacific Film Archive; 3:30 p.m. April. Castro Theatre.

Oakland filmmaker Reid Davenport films from his wheelchair-bound perspective in “I Didn’t See You There.” Photo: Reid Davenport / SFFilm

“I didn’t see you there”

Oakland filmmaker Reid Davenport won the American Documentary Achievement Award at Sundance for this documentary shot entirely from his point of view as he navigates everyday life in a wheelchair.

A circus tent popping up near Davenport’s apartment inspires commentary on freak show history and attitudes towards those seen as ‘freaks’, while blocked railings and other obstacles underscore the recklessness and the microaggressions of today’s world.

6 p.m. April 29. Victoria Theatre; 3:30 p.m. April. Berkeley Art Museum and Pacific Film Archive.

Wanda Johnson, mother of Oscar Grant, in the documentary ‘Black Mothers Love and Resist’. Photo: SFILM

“Black Mothers Love and Resist”

The activism of Wanda Johnson, Oscar Grant’s mother, in the years following her death in 2009 on a BART platform is at the forefront of this documentary, focusing on mothers left behind when their children are killed by the police.

While depicting families’ emotional wounds and survivors’ efforts to change laws and institutions, the film also depicts Johnson helping Angela Williams, a woman from Troy, Alabama, whose son survived a beating by the police. police, fight for justice.

8:30 p.m. April 29. Roxie Theatre.